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Monday, July 25, 2011

Embracing the Eclectic: Marcelo D2 Retrospective

Marcelo D2
Credit: Eliseu Cavalcante for RioGringa.com
In his preview of Brasil Summerfest and its kickoff Summer Stage event, "Showing Off Eclectic Tastes," Larry Rohter gets to the heart of Marcelo D2's musical essence. "Even more than most hip-hop artists [Marcelo D2] has always had wide-ranging tastes and a curiosity to see what happens when different genres are combined in unexpected ways."

While
 I've been listening to a few dozen of Marcelo's songs on Grooveshark since I heard Desabafo in Fast Five, I had never seen Marcelo D2 perform live until yesterday at Summer Stage. Only after witnessing in person his mastering of multiple genres and generations of music, do I understand how to approach his work.

Two weeks ago, I sat down with
Marcelo for an interview, the first interview I've ever done for Manhattanlândia, actually. I inevitably brought my own musical bias and preferences to the conversation and, subsequently, to the write-up. In retrospect, I see I neglected to consider his influences and accomplishments in musical genres I generally don't listen to, like punk and hardcore. At his Summer Stage performance, I was able to appreciate for the first time Marcelo's ability to bring together some of the most distinct sounds and assemble them so meaningfully into an unforgettable experience for his audience. 

After Pitty riled up the crowd with her alt-rock-centric repertoire, Marcelo D2 took the stage just as the sun came out in full force, dispelling the rain clouds and bringing the left over dampness to a boil. I couldn't help but think his Black Flag t-shirt was a strategic wardrobe decision (black doesn't show sweat marks). His denim vests with a Ramones patch sewn onto the breast was another nod to his musical influences. But the oppressively hot climate didn't seem to drain Marcelo's energy. He stayed hydrated throughout his performance with a bottomless cup of beer and brought equal enthusiasm to every type of song on the set list, which was all encompassing. 

The women in the audience had plenty of opportunities to dance samba to songs like "Batucada"  and "Á Procura Da Batida Perfeita." From our fancy footwork we naturally transitioned to jumping up and down and throwing our heads and raised hands in the direction of the stage when Marcelo performed hardcore hits like "Arte do Barulho." Throughout, he showcased his intimate knowledge of all types of music and his creativity in combing them, like when he added a few seconds of skat into "Ela disse" and mimed an a capela trombone during "Batucada." These subtleties can be appreciated only as part of a live performance. 

Bebel Gilberto joined Marcelo on stage, for two songs, "Minha Missão" (his) and "Close Your Eyes" (hers). While the pair had recorded "Minha Missão" together for Marcelo's album, Arte Do Barulho, "Close Your Eyes" was adapted for Marcelo especially for Summer Stage. It was so fresh, in fact, that print outs of the just-written lyrics were not-so-subtly secured to the stage in front of the artists before they performed it live for the first time. The two were a joy to watch together. Their dynamic was silly and effortless, just what you'd expect from two friends. 


After Bebel's exit, Marcelo made one last dive back into his arsenal of punk rock songs before paying tribute to his idol and mentor, Bezerra da Silva, with "Semente." When he a covered song by soul and funk master, Tim Maia, Marcelo joked that only the woman were singing and told the men to "have some heart."

Such a wide ranging repertoire is not only an testiment to Marcelo's imagination and innovation as a composer, but undeniably to the talent of his band. His full set included two head-banging guitarists, an expert samba drummer using his full set just as ably for samba as for punk rock, and DJ Nuts presiding over it all from his platform at the back of the stage. Not a single member of the ensemble exited at any point during the show. All were actively participating in the creation of the unique hybrid of sounds that changed with every song. 



In part because of his diverse repertiore, and in part because of his irresistibly mischievous persona, Marcelo D2 knows how to please the crowd. For his final act, Marcelo invited women from the audience up to the stage to dance samba while he performed (and finished his beer). I forget what song he sang, though, because I was so focused on the dynamic unfolding before me. You could tell how excited and incredulous these women were to be up on stage with Marcelo D2, but it was also obvious that Marcelo was enjoying himself just as much, if not more than the women. At one point, he sat down on a speaker with his back to the audience, so he could appreciate a pair of hips squeezed into tight, jean shorts gyrating two feet from his face. Por isso que eu bebo...

Getting to know Marcelo D2 (the music and the man) has been a humbling experience both as a critic and as a fan. I learned that even if I don't love every one of his ingredients, Marcelo is able to mix up musical recipes of new and different flavors that appeal to a wide range of palates. I look forward to following Marcelo as he continues to create the unexpected and exciting.

Sunday, July 24, 2011

Samba Like it's Hot!


Photo: http://www.belezanyc.com/

Half way through my first New York City summer, I'm proud to say I'm surviving just fine. In fact I kind of enjoy the heat and humidity, and the sweating doesn't bother me much. If anything it reminds me of Belém, the city in Northern Brazil where my love affair with the country began. Belém is in Amazonia, where it's hot year round and there are only two seasons: the rainy season and the less rainy season. It's hot and wet, and I love it. 


Going out in this weather is even better. If you are going to dance, you will inevitably perspire, maybe even soak your clothes or smudge your make up. But who cares? It's a sign that you are having fun! 


On Friday, I braved the heat and went to Canal Room with some friends to the Beleza NYC Samba party, where Cesar Vieira and Mistura Perfeita took the stage. I've seen a number of New York based Brazilian bands play, but none have played exclusively Samba. A beer in hand and alternating between samba and just moving my hips when I got tired, I felt as if I were back in Belém at a boteco with my girlfriends listening to samba pagode. 


Samba pagode is a contemporary style of samba popular among young people, but Cesar Viera and Mistura Perfeita play traditional samba, as well. To kick off their second act, some of the percussionists from Mistura Perfeita joined Toca & Alé Alé Drummers on the floor and the MC corralled us all into formation around the bateria. I thought this was a sign that a pair of costumed samba dancers would strut into the room at any moment and give us a show. Instead when the bateria began to play, the MC lead people from the crowd into the middle of the circle one by one. This was becoming a traditional roda de samba. I'd never seen a roda out at a club in New York. This was something I did just in my Samba class, but it was cool to see it somewhere else. In fact, I actually recognized some of the top students from my class shaking it in the middle of the circle! Our teacher, Danielle Lima, would have been so proud.

Friday, July 22, 2011

Dreams Come True: an interview with Marcelo D2

Photo credit: Washington Possato


Marcelo tells it like this: I was here in New York two times last summer, at the beginning of Summer Stage and at the end. I saw Public Enemy, which was great. And I saw Gil Scott-Heron, who is a huge influence on me. He's since passed, but at the time of the show he was very old, bem velinho! He was playing up there, and the whole band was very old! They were all friends of his, you know? It was so powerful that I cried. I actually cried. I was so moved. I thought: I want to have done something like this my life, in my career. Making music with my friends, playing at Summer Stage. That's my dream.


And now, Marcelo D2 is about to realize his dream this Sunday at Summer Stage in Central Park. And I got to realize one of my dreams, too: interviewing Marcelo D2, the father of hip hop do samba


Although I was already familiar with Marcelo's music, I still felt the need to pull an all-nighter in preparation for the interview. After six happy hours of intensely watching YouTube videos and studying his lyrics, I developed some of my own ideas and observations about Marcelo's evolution as an artist. I couldn't wait to get answers to all of my questions.


To date, Brazilian rapper, Marcelo D2, has five studio albums to his name, produced between 1998 and 2009. Eu Tiro É Onda (1998), was his first solo project after his rise to fame with punk/rap group, Planet Hemp. But instead of continuing to advocate in his lyrics for the legalization of marijuana, Marcelo, in Eu Tiro, and in his following album, Á Procura Da Batida Perfeita (Searching for the Perfect Beat) (2003), makes strong, consistent statements about family, rootedness, and respect for elders. 


Those themes comes from samba. Samba carries this. Samba and rap seem very similar to me, because they both come from the ghetto. There's something simple about the songs [from these two genres]: malandragem (streetsmarts). But rap is more direct, and samba, more poetic. And I love that about samba, so I like to make rap in that way.


Lodeando - Marcelo D2 and his son Stephan

Together, his first two albums cement what I would think of as Marcelo's brand: hip hop do samba, hip hop with a samba beat. I also associate Marcelo with Á Procura Da Batida Perfeita, the name of his second album, but also his noble pursuit of musical perfection. Marcelo stresses that the learning that comes from this never-ending search is far more important than money or anyone else's definition of success.













Á Procurda Da Batida Perfeita


If anything, there isn't enough Á Procura in Marcelo's third and fourth studio albums. In Meu Samba é Assim (2006) and Arte Do Braulho (2008), Marcelo's lyrics become progressively more materialistic. He raps about fame and fortune rather than about a success defined by his noble search. The song, "Desabafo," on Arte Do Braulho and on the Fast Five soundtrack, is an exception, however, where Marcelo stays true to his original brand of incorporating samba and traditional music into his rap. 


There is something that makes me so happy about making music, making rap, and that is reviving old songs. I have a song called "Desabafo". The singer, Claudia, [with whom I collaborated,] hadn't released anything in 30 years. After our song exploded, she returned to singing and recording. That's my vision: to take Brazilian music and show people how much great stuff there is from the past. There's a saying: "Olhando pro passado mas sem medo do futuro" (Looking into the past without fear of the future). To do something new, but with all due respect to the past. That's what I want to do.


Desabafo/Deixa Eu Dizer - Marcelo D2 and Claudia


When I started listening to the tracks on Marcelo's fifth and most recent studio album, Canta Bezerra da Silva (2009), I have to say I was shocked. Until my late-night interview prep-session, I hadn't heard a single song from this album. The hip hop do samba guy had completely dropped the hip hop to cover songs by the traditional samba composer, Bezerra da Silva. For a little while, Marcelo even ditched his hip hop get-up of a baseball hat and t-shit for the traditional samba look of a fedora and short sleeved button-up. It seemed to me like a complete transformation.


The hip hop people said 'Whoa, what happened to the hip hop (Cadei o hip hop)?' I don’t think the album changed anything, though. I wouldn’t have done a samba album had it not been a tribute to Bezerra. It was a tribute. Just that. It’s not going to be my next path. I did this album only because it was so special for me. Bezerra gave me tips about samba and mixing it with hip hop. He was so important to Á Procura da Batida Perfeita. I wanted to show people the affection I have for him. I have a lot of fans who are kids, and I think it’s cool to show them his influence on me and the respect I have for him.


So what could Marcelo D2 possibly be working on now? In his next album, will he return to the music that jumpstarted his solo career or will he throw his fans another curve ball?



The album I’m working on now is international. I’ve already done so much, always Brazilian music. The next step is to bring more collaborators from outside Brazil to this project. To get these people to sing Brazilian music, too. I think by partnering with more foreign artists, I’ll get to share Brazilian music with an even wider audience. I want to invite some American rappers. There’s a new generation of American rap: Curran$y, Smoke DZAStalleyThe Cool Kids.They are saying such cool things, really contemporary. I love it. And not only rap people. Also Esperanza Spalding and Erika Badu. I want to do a bunch of work with European artists, too. I’ve worked with international artists a few times in the past, but I want to concentrate all of it in this one album. I want it to be an album that has a universal language, that is universally understood. I’ve played in 23 countries. I want this album to arrive in these countries and I want people to see how much they’ve influenced me and my music.


What else should you know?
  • Marcelo hopes to release his next album on November 5th as a 44th birthday present to himself. (My birthday is just two days later, so I'll consider the album a birthday gift to me, too.)
  • He's already wrapped up a collaboration with 
    Ponto de Equilíbrio (two songs and two videos), and the fruit of their labor should drop in the next month.
  • He's also making at least two other videos while he's in New York.
It was such a tease to hear how excited Marcelo is for his new project, when I know I have to wait until November for his full album. But Sunday's Summer Stage performance is only two days away! I am touched to have learned how meaningful this performance will be for Marcelo, less than one year after Gil Scott-Heron, who inspired this Brazilian rapper to perform in Central Park in the first place, passed away. The show is chock full of other mini-milestones, as well. Brazilian rocker, Pitty, will be performing for the first time in New York after her first U.S. show in Miami today. After years of informal jam sessions, Bebel Gilberto will perform with Marecelo D2 for the first time in front of a live audience. And finally, Marcelo's 19 year-old-son, Stephan, will also make an appearance in Sunday's show.